๐ฆ ome People Don't Understand The
๐จ se Of Metaphors/Metafores/
๐ etafours/Meta4s/Meta2²s).
Σ
๐ป SUM wisdom ∀.
๐น It's ๏ธa Submarine - an SNMC
[Submarine Nuclear Missile Carrier (with an advanced AI)] that has accepted Jonah (on behalf of God) as it's commander.
โน๏ธ Here we have a dynamic
metametaphorโด, a familiar human object that serves as a metaphor a higher system still. It's a three part system of ideas.
๐น๏ธ The use of metaphors very often goes
hand-in-hand with ๐ ๐ฒ๐๐ฎ๐บ๐ผ๐ฟ๐ฝ๐ต๐ผ๐๐ถ๐ - one of the most importantโ and often complexโ processes anything (including ๐ง๐ต๐ฒ ๐๐๐บ๐ฎ๐ป ๐ ๐ถ๐ป๐ฑ) can undergo.
๐น๏ธ The following piece is included in my
personal ๐ฃ๐น๐ฎ๐ ๐๐ถ๐๐ ๐๐ผ๐ฟ ๐ ๐ฒ๐๐ฟ๐ผ๐ฝ๐ผ๐น๐ถ๐.
๐ ผ PHILIP GLASS - Metamorphosis. ๐
๐น๏ธ With excellent choice of imagesโ the
following is an interesting addition to
PLFM for - among other things - playing on board ๐๐ผ๐ป๐ฎ๐ต'๐ ๐ฆ๐๐ฏ๐บ๐ฎ๐ฟ๐ถ๐ป๐ฒ.
๐ ผ GEORGIO MORODER - Machines. ๐
Resources
Music
Footnotes
โด ๐ ๐๐๐ป๐ฎ๐บ๐ถ๐ฐ ๐ ๐ฒ๐๐ฎ๐ฝ๐ต๐ผ๐ฟ is a
continuously evolving, plot-driven comparison—often using a recurring object, prop, or image—that unfolds over time, revealing deeper character insights or thematic changes as the narrative progresses. Unlike static metaphors, it has a beginning, middle, and end, acting as a โlivingโ symbol in storytelling.
๐๐ฒ๐ ๐๐๐ฝ๐ฒ๐ฐ๐๐ ๐๐ป๐ฑ ๐๐ ๐ฎ๐บ๐ฝ๐น๐ฒ๐ ๐ข๐ณ ๐๐๐ป๐ฎ๐บ๐ถ๐ฐ ๐ ๐ฒ๐๐ฎ๐ฝ๐ต๐ผ๐ฟ๐.
๐น๏ธ Cinematic/Narrative Use:
โช๏ธ A specific object, such as a pair of
garden clippers in a thriller, might appear in different scenes to show which character is currently in control.
๐น ๏ธCharacter Evolution:
โช๏ธ A wardrobe item or prop can
change in meaning; for instance, a character discarding an item represents a change in their personality or circumstances.
๐น๏ธ Conceptual Development:
โช๏ธ It externalizes a character's interior
world by allowing them to interact with it, revealing their true nature to the audience without the character being aware of it.
๐น ๏ธDiscourse Dynamics:
โช๏ธ In conversation, dynamic
metaphors can shift in โactivationโ, ranging from โsleepingโ (conventional) to โwakingโ (highly active) as they interact with the surrounding context.